• Tag Archives art
  • ‘Emotions’ by Zoe Fellerer

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    "Emotions" ©2015 By Zoe Fellerer
    “Emotions” ©2015 By Zoe Fellerer

    Zoe Fellerer is a young artist from the Milwaukee, Wisconsin area and the daughter of the Mardi Gras photographer, Herb Fellerer.  Her piece “Emotions” is beautifully symbolic.  It is said that “the eye is the window to the soul” and her eye, stark in black and white in this work, sheds a rainbow of colored tears.

    Colors are often used to represent different emotions.  Green is related to envy and envy certainly can bring about tears.  Sadness is thought of as being a watery, teary-eyed blue.

    Yellow is often thought of as cowardly, but all experience fear.  Fear, when it cripples us from action, can bring us to our knees in tears.

    Reds and oranges represent a fiery rage.  Rage, when it burns within us, can bring us to tears.

    Purples are the color of royalty.  The kings and rulers of ancient times wore purple.  Those that rule over us are to do so in care and concern for those for which they care.  When it becomes ruling out of privilege, self-righteousness, or simply a love for power, those that rule bring oppression, grief, and sorrow to those over which they rule.  It is said that when Pilate, the ruler, had Jesus, the Messiah, brought before him:

    “1 Then Pilate therefore took Jesus, and scourged him. 2 And the soldiers platted a crown of thorns, and put it on his head, and they put on him a purple robe, 3 And said, Hail, King of the Jews! and they smote him with their hands. 4 Pilate therefore went forth again, and saith unto them, Behold, I bring him forth to you, that ye may know that I find no fault in him. 5 Then came Jesus forth, wearing the crown of thorns, and the purple robe. And Pilate saith unto them, Behold the man! 6 When the chief priests therefore and officers saw him, they cried out, saying, Crucify him,” (From John 19 in the King James version Bible)

    In His final moments of life before His crucifixion and resurrection, He wore a crown of thorns.  The crown was a representation of royalty yet it was a crown of pain and sorrow and He wore a robe of purple so show His royalty as He was condemned to crucifixion by His own people whom He had healed, loved, and forgave.

    The rainbow is said to have a been a sign that God gave to Noah after the Great Flood as a covenant to the earth that He would never again destroy the earth by flood.  Even so the death and resurrection of the Messiah was the sacrifice and sign of God’s love of His creation.  It was a commitment that Man could receive forgiveness of sin through that sacrifice of the Son of God.  The resurrection of His Son gave hope to mankind that we may, one day, participate in that resurrection.

    In the church, Mardi Gras follows the celebration of the Birth of Jesus Christ, the Messiah, and precedes the time of Lent when the celebration is set aside and the church prepares to honor the mourning of the Messiah’s death followed by the Easter celebration of His resurrection.

    Ms. Fellerer’s work of art is both a beautiful representation of the rainbow of emotions that bring sorrow and yet a reminder that in that rainbow of sorrow, God promises the Son will rise again and the light of His love will shine in our hearts as we welcome Him in.

    Many thanks to Zoe Fellerer for this beautiful work of art and may the many colors of our sorrows in this Mardi Gras season be turned to joy.

    For more about National Art Examiner, Pastor John N. Collins, find him on TwitterInstagram, Youtube, and Facebook.  Be sure to let him know your thoughts on his articles!



  • An interview with cosplayer and artist, Erica Willey

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    Youmacon Chairman Morgan Kollin with artist/cosplayer Erica Willey
    Youmacon Chairman Morgan Kollin with artist/cosplayer Erica Willey

    Erica Willey is a freelance artist from Grand Rapids, Michigan.  She is a recent graduate of Kendall College of Art and Design and also is a fan of Anime, Steampunk, and cosplays both.  Check out the interview and then follow her links to enjoy her artwork.

    John N. Collins (JNC): It was a pleasure to meet you at Youmacon, Erica. It was impossible to miss you as the corridor was blocked with all the photographers and con attendees shooting your picture as I was trying to work my way through the Renaissance Center. Tell me about your cosplay.

    Erica Willey (EW): Well this year for Youmacon I decided to replicate Ryuko Matoi final from the anime Kill la Kill. I fell in love with her character right away. Unfortunately I don’t know how to sew yet, so I ordered the base of my costume, altered it, and created the chest pieces, out of craft foam. Altogether the costume took about a month to make.  I have some modifications I want to make that will probably take a couple more weeks.

    (JNC): What inspired you to become a cosplayer and what other characters have you cosplayed?

    (EW): I’ve had a passion and love for the Japanese culture for as long as I can remember. When I first discovered cosplay in high school it immediately captured my attention. What I think inspired me most to become a cosplayer was the excitement of the cosplay world. People take it seriously and get excited.  Cosplayers really appreciate the work that goes into making the costumes. It’s also fun and gives everyone a chance to be whoever they want for a day.

    I only started taking cosplay seriously, though, about 3-4 years ago, when I attended JAFAX for the very fist time. That year I actually created my own steampunk get up. And I rocked that cosplay outifit for my first year at Youmacon too. My next project will be Satsuki Kiryuin’s final form.

    (JNC): Not only are you a cosplayer, but you are also an artist. When were you first inspired to become an artist and who or what inspired you?

    (EW): Art has been in my life for as long as I can remember. My mother, throughout the years, has done freelance work.  So it was her artistic skills that got passed onto me.  Besides my mother, the first artist to inspire me was Salvador Dali. But I’d say what really had an impact of my style and approach towards my work is the fantasy and sci fi world that we all know and love. The artwork from games such as League of Legends, Legends of Cryptids, and Magic the Gathering has had a very huge impact on me. I admire the work of their artists very much and hope to one day be at that level and work for Riot Games, Applibot, or Blizzard. I just graduated from Kendall College of Art and Design this year, and have been successful in my frelancing career.  Working for one of the big time companies is my ideal.

    (JNC): As an art student and a freelance artist you take on assignments where you are told what the professor or client wants from you and then create it based on their orders. How do you work up the creative flow when you are told what to create?

    (EW): For artists it is hard to follow strict instructions from a client.  When there isn’t much wiggle room the creative flow is restricted.  That is the life of an artist.  I guess you could say we improvise.  As I create a piece for a client, I am creating it for myself as well. Whether or not I like the concept of the piece I’m working on, I keep in mind the client’s needs and enjoy the creative process.  I know that if I don’t enjoy the process, the final product won’t turn out as well.  So the key is to love every minute of the process and let that inspire the final product.

    (JNC): Is it easier or harder to create without any input?

    (EW): It really just depends. Sometimes the creative flow comes to you while you’re walking on the streets and see an odd shape in the clouds, but a lot of times it doesn’t come to you at all, which makes producing any sort of artwork challenging. So having some sort of input does help at times, but too much input, confines the creative mind we artists are known for.

    (JNC): What media do you use and what is your favorite?

    (EW): The only media I work in currently is Digital. A majority of my time is spent in photoshop. Originally I strictly used traditional mediums such as oil paints and watercolor, but have fallen in love with the digital world.

    (JNC): As a recent graduate of Kendall and a frelancing artist, where do you want to go from here?

    (EW): As I had mentioned, my goal is work with Riot Games, Applibot, or Blizzard. To prepare myself for that future I am working with kickstarter companies and taking other freelancing opportunities.

    (JNC): Where can the reader go to see more of your artwork and how can they contact you for more information or to contract artwork from you?

    (EW): They can check out my art and contact me by visiting my website. I can also be found on Facebook.

    (JNC): Thanks again for taking the time to chat with me at Youmacon and for agreeing to do this interview!

    (EW): Thank you for giving me this great opportunity and taking the time to get to know my passions a little more.

    More about John N. Collins

    For more photos and fun, follow John N. Collins on TwitterInstagram, Youtube, and Facebook and be sure to let him know your thoughts on his articles!



  • An interview with ArtPrize Steampunk sculptor Anthony Jackson

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    Anthony Jackson from Lake Odessa, Michigan, is an industrial welder and a sculptor that has been entering the Grand Rapids ArtPrize since the first year.  His creative endeavors go back to when he was a kid growing up on a farm where he had the opportunity to use tools and equipment in his artistic explorations that most folks don’t have in their homes.

    While he has worked in other media, airbrushing and such, his favorite is welding and finishing metal.

    His first ArtPrize entry was his well-loved dragon, “Edgar.”  “Edgar” was a metalwork dragon made of scrap metal and was about seven feet tall.  Edgar “wowed” the crowd, placing in the top 50 entrants during the first year of ArtPrize.

    "Steam Baby" at The B.O.B. during ArtPrize 2013
    “Steam Baby” at The B.O.B. during ArtPrize 2013

    Last year at The B.O.B., Mr. Jacksons entry was another dragon with a Steampunk twist called, “Steam Baby.”

    This year, in front of the Gerald Ford Museum, his entry is an amazing, mechanical, steampunk creation called, “Looking for Alice” and has Alice in Wonderland’s Mad Hatter on a tricycle.  “Looking for Alice” is also made with scrap metal and found pieces that he assembled and formed by welding, bolting, and other tricks of his trade.

    Anthony Jackson's "Looking For Alice" at the Gerald Ford Museum during ArtPrize 2014
    Anthony Jackson’s “Looking For Alice” at the Gerald Ford Museum during ArtPrize 2014

    The art enthusiasts can spin the front wheel and watch The Mad Hatter’s legs pump and the mechanical, winding key on his back rotates.  His use of negative space in the sculpting allows the viewer to look inside the figure and see his heart and other internal workings.

    When not creating works of art like “Edgar” or “Looking for Alice” he also makes beautiful, handmade knives.  Be sure to go to the Gerald Ford Museum before ArtPrize 2014 is over and check out “Looking for Alice.”  In case you can’t make it, the video interview with Mr. Jackson starts with views of the sculpture.  Also stop by his website – DontCutYourself.com/Welcome.html – and check out more of his creative works.

    More about National Art, National Music, and Grand Rapids Social Issues Examiner John N. Collins

    For more photos and fun, follow John N. Collins on TwitterInstagram, Youtube, and Facebook and be sure to let him know your favorites at ArtPrize 2014!